“Authentic Inuit Art” in a Neo-Colonial Arctic

PART OF THE “INUIT ART-CRUSTRUCTING THE AUTHENTIC VIEW”SERIES ON ART ATTACHÉ The question of authenticity for what constitutes Inuit Art has been an ongoing issue since its inception in the 1950s. Immediate popularity of the craft resulted in mass production, consequently affecting the quality of the works produced. A multi-million-dollar industry was conceived from theContinue reading ““Authentic Inuit Art” in a Neo-Colonial Arctic”

Gazing upon the Western Gaze

Museums and art galleries serve as fundamental institutions of the cultural education given to citizens, becoming ‘national’ centres. Many schools have day trips to these national educational centres with the aim of exposing children to the history of people in Britain. Such history and individuals present within museums and galleries are in fact subject toContinue reading “Gazing upon the Western Gaze”